Design for installation exploring themes of conservation, transmutation and exposure in relation to the erosion of Prince Edward Island. Featuring custom built light-soundhouses, novel spatialisation, projection and sound. Proof of concept stereo demo below.
Category: Works
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Erosion (2020)
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cccmmp (2020)
Composed as the result of a 48-hour composition challenge presented by CESSA (Concordia Electroacoustic Studies Student Association) between October 16 and 18, 2020. Released digitally.
Participants set out to capture a moment of an EAST student’s group Zoom call and recycle it as a creative sonic expression of the COVID-19 lockdown time in October 2020. The group met and procured strange sounds that were recorded for use as source material in the activity – voices, objects, instruments.
A performative virtual ecology – the shapes and sounds of reasoning animals in pixels and samples. Participants had 48 hours to use the recorded Zoom call as source material to develop a short composition.
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forwords (2020)
Composed for Exit Matrix Concordia Electroacoustic Studies Student Association compilation released August, 2020.
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Frequency Freaks Workshop June 13/20 – Collaboration
Visual performance as part of a collaboration with Toronto-based musician Steve Castellano.
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a moderate livelihood (2020)
A sea-image-sound performance composed and recorded in Mi’kma’ki / Nova Scotia, Fall 2020.
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duedo21 (2020)
21 equal temperament electroacoustic composition for eight-channels. Sound parameters and spatialisation directed through sonification of data captured from five matches of the board game Blokus Duo played between the composer and an artificial intelligence.
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The Emperor’s Visit (2020)
The Emperor’s Visit is a nine-channel fixed-media composition with live quadraphonic accompaniment and Arduino-controlled looping. It was composed and performed in the Spring of 2020 as part of the Electroacoustic program at Concordia University.
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New Objectives (2019)
5.1 channel composition inspired by Paul Hindemith and the Neue Sachlichkeit movement.
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Urane – Glacier (2019)
Glacier was assembled and produced following three months of recording with a minimal setup utilizing two vintage, monophonic analog synthesizers and a Moog percussion synth. The result is an album of visual music with a dark, imaginative soundtrack-like quality. Collaboration with Véro Marengère.
Track 4, Ommatokoita.
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Onibaba (2017)
Completely original electronic sound design and score for Kaneto Shindo’s classic 1964 film.