21 equal temperament electroacoustic composition for eight-channels. Sound parameters and spatialisation directed through sonification of data captured from five matches of the board game Blokus Duo played between the composer and an artificial intelligence.
Author: Pat McMaster
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The Emperor’s Visit (2020)
The Emperor’s Visit is a nine-channel fixed-media composition with live quadraphonic accompaniment and Arduino-controlled looping. It was composed and performed in the Spring of 2020 as part of the Electroacoustic program at Concordia University.
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GAS (2020)
As part of the 2020 edition of the Festival de la Bête Noire with the support of MainLine Theatre, GAS bubbles to the surface at the intersection of a TED talk, live science experiment, musical performance and storytelling soirée.
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New Objectives (2019)
5.1 channel composition inspired by Paul Hindemith and the Neue Sachlichkeit movement.
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Urane – Glacier (2019)
Glacier was assembled and produced following three months of recording with a minimal setup utilizing two vintage, monophonic analog synthesizers and a Moog percussion synth. The result is an album of visual music with a dark, imaginative soundtrack-like quality. Collaboration with Véro Marengère.
Track 4, Ommatokoita.
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Under the Sheets (2019)
“…a concert unlike any other, an intimate celebration of human connection and the immeasurable power of music as a tool of self-expression.” – Montreal Theatre Hub
Raw, autobiographical stories with captivating musical performances presented as part of the 2019 Festival St-Ambroise Fringe Montreal festival.
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Onibaba (2017)
Completely original electronic sound design and score for Kaneto Shindo’s classic 1964 film.
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Improvisation for Three Ondomo (2016)
Improvisation for 3 Ondomo. Performed by Ayako Hase, Daniel Àñez, and Pat McMaster. Recorded at Casa del Popolo, Montréal, November 19th, 2016.
