Visual performance as part of a collaboration with Toronto-based musician Steve Castellano.
Visual performance as part of a collaboration with Toronto-based musician Steve Castellano.
Fluxus Algorithmically Generated Event Scores (Fluxus.AGES) is an experiment in natural language processing, machine learning and art, melding the worlds of the Fluxus movement and artificial intelligence research. This collaboration came together as part of NO HAY BANDA’s “Fluxus Online” event which will be featured as part of the 2020 Suoni Per Il Popolo festival. More details here.
A link to the website will be made available during the June 16th launch event.
For those looking for a comprehensive introduction to the theory and concepts at the root of synthesis, or those looking to up their patching game, consultation and online training is available to demystify and extend the possibilities available with synthesizers.
Acoustic musicians often tell me that they are excited and deeply curious of the world of electroacoustic practices, synthesizers, musique concrète, live sampling, etc. but are not sure where to start and intimidated by the wide array of hardware, software and technical jargon associated with these things. Let me help you find your confidence and your set-up to be able to richly engage with this world without feeling lost, and to show you how much you may already know through your previous foundational knowledge.
Instrument mystérieux au riche passé et au son obsédant et évocateur, les ondes Martenot ont été l’un des premiers instruments électroniques. Que vous soyez un compositeur ou un musicien cherchant à intégrer cet instrument dans votre pratique, je serais heureux de vous aider à vous familiariser avec cet instrument remarquable.
With many years of new media and technology experience, it was a relatively smooth transition from the concert hall to the Zoom meeting for my work with live sound and music. Let my experience be of a benefit to you as you work to bring your project online.
21 equal temperament electroacoustic composition for eight-channels. Sound parameters and spatialisation directed through sonification of data captured from five matches of the board game Blokus Duo played between the composer and an artificial intelligence.
The Emperor’s Visit is a nine-channel fixed-media composition with live quadraphonic accompaniment and Arduino-controlled looping. It was composed and performed in the Spring of 2020 as part of the Electroacoustic program at Concordia University.
As part of the 2020 edition of the Festival de la Bête Noire with the support of MainLine Theatre, GAS bubbles to the surface at the intersection of a TED talk, live science experiment, musical performance and storytelling soirée.